Tim Campbell might be a very wise man. Each day, as the 44 year-old architect arises from bed, he looks directly at Francis Ryan’s Dead Soldier, which depicts an almost life-sized image of an Iraqi battlefield, with a lone corpse splayed across a desert floor. His arms are severed and charred, his skin burned beyond recognition. “I didn’t buy [the painting] to shock people,” says Campbell. “I bought it because it’s a way of re-engaging with the horror that we’ve all grown to live with and ignore. Because I don’t want to forget things like that. I want to face what we’re doing as humans, as people, and as a country, everyday. So more than anything else, it helps me remember why I’m angry about the things that I’m angry about.”